Alberto Repetti Artist

Artworks of Alberto Repetti's Artist, Oil Painting, Ballpoint Pen Drawing and more

Category Archives: nature

“Dies Irae”

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Ballpoint Pen on Cardboard, 73 x 53 cm, January 2021


An observation on the landscape as an environment under construction, like the development of a strategy game where the difficulties put in place by the person who thought of the environment must be overcome by the player.

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The human being, the designer, as a challenger and challenged and the spectator as a reconstructor of the path of signs, of all the movements that have contributed to the work.
In this case, nature, which is the recognizable element, is inaccessible except with the gaze. It is not a comforting place, nor a sky on which to look serenely. It is a place that requires a strong and motivated response from the viewer’s gaze to put together all the parts, the bushes, the small and rugged clearings, the intricate brambles, the inaccessible vegetation, or close the eyes and let everything this becomes wonderfully incomprehensible like a new language that we absolutely want to decipher.

Un’osservazione sul paesaggio come ambiente in costruzione, come lo sviluppo di un gioco di strategia dove le difficoltà messe in campo da chi ha pensato al campo di gara devono essere superate dal giocatore.
L’ essere umano, il designer, come sfidante e sfidato e lo spettatore come ricostruttore del percorso dei segni, di tutti i movimenti che hanno contribuito all’opera.
In questo caso la natura, che è l’elemento riconoscibile, è inaccessibile, se non con lo sguardo. Non è un luogo confortante, né un cielo su cui posare lo sguardo serenamente. E’ un luogo che richiede una risposta forte e motivata dallo sguardo dello spettatore, per mettere insieme tutte le parti, i cespugli, le radure piccole e aspre, i rovi intricati, la vegetazione inaccessibile, oppure chiudere gli occhi e lasciare che tutto questo diventi meravigliosamente incomprensibile come una nuova lingua che vogliamo assolutamente decifrare.

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“Leopardi’s Hedge, an Infinite Tribute”, Biroscape 309

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, December 2020

“Still Nature, Like An Interrupted Drawing”, Biroscape 305

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, December 2020

“I HEAR WHAT YOU’LL SEE YOU SEE WHAT I HEAR” 5 pieces of music (Improvisations 1 – 5) And The Nature Series Painting

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The Natures Series is enriched with important elements for understanding the development of my landscape research.
The collaboration between me and Steve Somerset allowed for a live streaming on facebook where his music compositions (Improvisation 1 – 5), created specifically for this project, developed together with my paintings.

This has allowed a true connection between painting and music that take place in a definite time, giving the viewer the opportunity to witness the construction of the work of art and a better understanding of its inspiration and its project.
The five pieces of music have suggested the structure and evolution of the work and in the same way my way of working suggested the music that proceeded in unison with the genesis of the paintings.

CLICK HERE TO SEE THE LIVE SESSION


CLICK HERE TO SEE ALL NATURE SERIES PAINTING

About Landscape

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My representation of the landscape is performed with the Hand, and therefore, cannot fail to be a real autopsy on nature, a priori. A search through the sign in the direction of the cause that will lead to his definitive agony and therefore to his death. This can only be attempted during the realization process because the finished work show its end and therefore its inevitable burial. But on closer inspection this is true for any object. The making of the work becomes testimony of the only possible answer that is found in the act, as long as the act lasts, after which there is a result that one insists on exhibiting as a trophy but that no longer has a breath of life. It is the late.

Dies Irae, Work in progress, ballpoint pen on cardboard, 50 x 70 cm

ballpint pen drawing landscape many brushes in front and little sign in the background. Autumn

“It Was the Wind”

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Ballpoint Pen on Cardboard, 33,3 x 25, 2 cm, October 2018

It Was the Wind

“Papa et Maman sur la Plage de Cannes, Hommage à Picasso”, biroscape #193

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, October 2018

Papa et Maman sur la Plage de Cannes, Hommage à Picasso BS193

“Noreen’s Cloud”

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Oil on Canvas, 50 x 60 cm, September 2018

When I was commissioned this painting I had in my eyes the volutes of the skies of Normandy and the harrowing sensation of an event that was shaking my city, Genoa. In this cloud there are the events of those days that turn into the will to represent them, in the gestures, in the brush strokes are blurred or decided, but not to transfer the burden of a totalizing experience in the subject. Therefore, the pain or the pleasure remain inside of me and are projected outside, not in the painting, but in the medium yes, to the end, with the need to build an almost mystical practice with the object through I can represent my idea of world.

Quando mi è stato commissionato questo dipinto avevo negli occhi le volute dei cieli di Normandia e la sensazione straziante di un accadimento che stava scuotendo la mia città, Genova. In questa nuvola ci sono gli accadimenti di quei giorni che si tramutano nella volontà di rappresentarli, nei tratti del pennello siano sfumati o decisi, ma non di trasferire nel soggetto il carico di un’esperienza totalizzante. Quindi, il dolore o il piacere rimangono dentro di me e si proiettano al di fuori, non  nel dipinto, ma nel medium si, fino in fondo con la necessita di costruire una pratica quasi mistica con l’oggetto.

Noreen's Cloud

 

 

“In Gray”, biroscape #192

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, October 2018

In Gray BS192

“The Origin of the Darkness”, biroscape #190

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