Alberto Repetti Artist

Artworks of Alberto Repetti's Artist, Oil Painting, Ballpoint Pen Drawing and more

Category Archives: Landscape

“Reminder”, Biroscape 312

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Ballpoint Pen on Cardboard, 14,8 x 10.5 cm, January 2021

grass with forest in the backgroud formed by very tiny hatching.
In front a stone floating in the air.

“Leopardi’s Hedge, an Infinite Tribute”, Biroscape 309

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, December 2020

“At a Slow Pace”, Biroscape 306

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, December 2020

“The Field, The Hill and the Cloud, Fragment of Winter” Biroscape 304

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, December 2020

The Hill in the flat horizon, distant view. a big cloud from right tio left of the paper in the sky, a big black cloud.

“American Trail”, Biroscape 302

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, November 2020

“I HEAR WHAT YOU’LL SEE YOU SEE WHAT I HEAR” 5 pieces of music (Improvisations 1 – 5) And The Nature Series Painting

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The Natures Series is enriched with important elements for understanding the development of my landscape research.
The collaboration between me and Steve Somerset allowed for a live streaming on facebook where his music compositions (Improvisation 1 – 5), created specifically for this project, developed together with my paintings.

This has allowed a true connection between painting and music that take place in a definite time, giving the viewer the opportunity to witness the construction of the work of art and a better understanding of its inspiration and its project.
The five pieces of music have suggested the structure and evolution of the work and in the same way my way of working suggested the music that proceeded in unison with the genesis of the paintings.

CLICK HERE TO SEE THE LIVE SESSION


CLICK HERE TO SEE ALL NATURE SERIES PAINTING

About Landscape

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My representation of the landscape is performed with the Hand, and therefore, cannot fail to be a real autopsy on nature, a priori. A search through the sign in the direction of the cause that will lead to his definitive agony and therefore to his death. This can only be attempted during the realization process because the finished work show its end and therefore its inevitable burial. But on closer inspection this is true for any object. The making of the work becomes testimony of the only possible answer that is found in the act, as long as the act lasts, after which there is a result that one insists on exhibiting as a trophy but that no longer has a breath of life. It is the late.

Dies Irae, Work in progress, ballpoint pen on cardboard, 50 x 70 cm

ballpint pen drawing landscape many brushes in front and little sign in the background. Autumn

“about landscape (Thought number Eight)”

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Ballpoint Pen on Cardboard, 30 x 42 cm, September 2020

Its representation, even omitting the object, is deprived of ethics, and is unequivocal, neutral.
The landscape itself is therefore devoid of any possibility of judgment, equidistant and ideal.

landscape draing, more bushes with white cloud, Ballpoint Pen Drawing on cardboard
Detail of previous drawing. The detail of ballpoint pen signs

“about landscape (Thought number Seven)”

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Ballpoint Pen on Cardboard, 29,7 x 42 cm, June 2020

Making

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In the era of the impossibility of the representation of painting, significantly, the function of the artist coincides with the privileged space of the fruition of the work.
The author is alone and sacrifices himself as the only witness of what happens and will never happen again.
The bequest is a decorative system that can be hardly interpreted and resolved by the viewer.
No longer the representation of deconstruction but the result of a construction.
This construction is the only possible work of art, not already relegated to the rank of performance but a testament to the technique, and not with it
The making becomes the modern archetype, beyond any meaning.
The only contemporary art.

Nell’era dell’impossibilità della rappresentazione della pittura, significativamente, la funzione dell’artista coincide con lo spazio privilegiato della fruizione dell’opera.
L’autore è solo e si sacrifica come unico testimone di ciò che accade e non accadrà mai più.
Il lascito è un sistema decorativo che difficilmente può essere interpretato e risolto dallo spettatore.
Non più la rappresentazione della decostruzione ma il risultato di una costruzione.
Questa costruzione è l’unica possibile opera d’arte, non già relegata al rango di performance ma a testimonianza della tecnica, e non con essa
Il fare diventa l’archetipo moderno, oltre ogni significato.
L’unica arte contemporanea.

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