Began developing a series of sketches to serve as the basis for larger paintings, experimenting with various materials such as ink, acrylic, pencil, ballpoint pen, and watercolor.
This blend of media and the use of the sketchbook fostered a stream-of-consciousness process; I am working through this by creating a succession of paintings that I view as geological explorations of my inner self—bringing to the surface what lies in my deepest depths.
In this series, I subsequently incorporated materials like glue, tissues, raffia, and cotton to add texture. This ongoing exploration will soon—as I mentioned—be translated onto larger surfaces.
You can watch the creation of these works on my YouTube channel, “Alberto Repetti Artist“; I will also be showcasing them in a dedicated section of this website.
Enjoy watching.
Category Archives: Landscape
Sketchbooks as a form of experimentation
0Painting over a randomly obtained background
0I present two small acrylic landscapes, the result of a fun practice that involves creating shapes by intervening on a random layer of paint, as you can see in this video, organized into steps: first the preparation and choice of colors, then the random application of color on the cards, then viewing the result card by card, and finally the conscious painting on two of the resulting colored cards.
When I say “chance,” of course, I don’t mean the artist’s total absence, but rather the degree of intervention we choose to have on the work we create.
It’s clear that even when we paint abstractly, or when we throw paint onto the canvas, what emerges is always the artist’s intention, even if it’s involuntary. I can throw paint, but the gesture is mine; however, the color can escape me, expand more than expected, create shapes I hadn’t imagined.
Here, however, I want to try a different experience: I want to place the paint on the sheets of paper completely randomly, without seeing it, and therefore completely without my knowledge. The colors will be mixed without my direct control, and the final result will serve as a starting point for observing how this can be possible if we deem it necessary to invent something from a random pictorial expression.
The result we’ll achieve in the two paintings I’ll make, based on the suggestion of random shapes, stems from this very process.

Acrylic on Cardboard, 14,8 x 10,5 cm
Fog in a Forest?
0A video showing an example of the graphic process for drawing fog in a forest.
This small drawing can serve as food for thought for a more in-depth exploration of this theme.
I will soon begin large-scale works using this technique.
Sunrise from the hill
0I have a YouTube channel where I mainly talk about pictorial and graphic technique, and it is dedicated to those who are learning to paint and draw, but not only to them, but to all the people who like to deepen their knowledge of artistic technique.
I share on the channel the realisation of a simple painting depicting the glow of the sun of a late autumn morning in the countryside.






