Alberto Repetti Artist

Artworks of Alberto Repetti's Artist, Oil Painting, Ballpoint Pen Drawing and more

Category Archives: Landscape

About Landscape


My representation of the landscape is performed with the Hand, and therefore, cannot fail to be a real autopsy on nature, a priori. A search through the sign in the direction of the cause that will lead to his definitive agony and therefore to his death. This can only be attempted during the realization process because the finished work show its end and therefore its inevitable burial. But on closer inspection this is true for any object. The making of the work becomes testimony of the only possible answer that is found in the act, as long as the act lasts, after which there is a result that one insists on exhibiting as a trophy but that no longer has a breath of life. It is the late.

Dies Irae, Work in progress, ballpoint pen on cardboard, 50 x 70 cm

ballpint pen drawing landscape many brushes in front and little sign in the background. Autumn

“about landscape (Thought number Eight)”


Ballpoint Pen on Cardboard, 30 x 42 cm, September 2020

Its representation, even omitting the object, is deprived of ethics, and is unequivocal, neutral.
The landscape itself is therefore devoid of any possibility of judgment, equidistant and ideal.

landscape draing, more bushes with white cloud, Ballpoint Pen Drawing on cardboard
Detail of previous drawing. The detail of ballpoint pen signs

“about landscape (Thought number Seven)”


Ballpoint Pen on Cardboard, 29,7 x 42 cm, June 2020



In the era of the impossibility of the representation of painting, significantly, the function of the artist coincides with the privileged space of the fruition of the work.
The author is alone and sacrifices himself as the only witness of what happens and will never happen again.
The bequest is a decorative system that can be hardly interpreted and resolved by the viewer.
No longer the representation of deconstruction but the result of a construction.
This construction is the only possible work of art, not already relegated to the rank of performance but a testament to the technique, and not with it
The making becomes the modern archetype, beyond any meaning.
The only contemporary art.

Nell’era dell’impossibilità della rappresentazione della pittura, significativamente, la funzione dell’artista coincide con lo spazio privilegiato della fruizione dell’opera.
L’autore è solo e si sacrifica come unico testimone di ciò che accade e non accadrà mai più.
Il lascito è un sistema decorativo che difficilmente può essere interpretato e risolto dallo spettatore.
Non più la rappresentazione della decostruzione ma il risultato di una costruzione.
Questa costruzione è l’unica possibile opera d’arte, non già relegata al rango di performance ma a testimonianza della tecnica, e non con essa
Il fare diventa l’archetipo moderno, oltre ogni significato.
L’unica arte contemporanea.

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“Eyes on Monfort’s Countryside, Northern France


Acrylic on Fabriano Mixed Media Cardboard, 15 x 21 cm, April 2019

Eyes on Monfort's Countryside, Northern France

“It Was the Wind”


Ballpoint Pen on Cardboard, 33,3 x 25, 2 cm, October 2018

It Was the Wind

“Papa et Maman sur la Plage de Cannes, Hommage à Picasso”, biroscape #193


Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, October 2018

Papa et Maman sur la Plage de Cannes, Hommage à Picasso BS193

“Noreen’s Cloud”


Oil on Canvas, 50 x 60 cm, September 2018

When I was commissioned this painting I had in my eyes the volutes of the skies of Normandy and the harrowing sensation of an event that was shaking my city, Genoa. In this cloud there are the events of those days that turn into the will to represent them, in the gestures, in the brush strokes are blurred or decided, but not to transfer the burden of a totalizing experience in the subject. Therefore, the pain or the pleasure remain inside of me and are projected outside, not in the painting, but in the medium yes, to the end, with the need to build an almost mystical practice with the object through I can represent my idea of world.

Quando mi è stato commissionato questo dipinto avevo negli occhi le volute dei cieli di Normandia e la sensazione straziante di un accadimento che stava scuotendo la mia città, Genova. In questa nuvola ci sono gli accadimenti di quei giorni che si tramutano nella volontà di rappresentarli, nei tratti del pennello siano sfumati o decisi, ma non di trasferire nel soggetto il carico di un’esperienza totalizzante. Quindi, il dolore o il piacere rimangono dentro di me e si proiettano al di fuori, non  nel dipinto, ma nel medium si, fino in fondo con la necessita di costruire una pratica quasi mistica con l’oggetto.

Noreen's Cloud



“The Origin of the Darkness”, biroscape #190


“South West Wind, High Altitude”, biroscape #189


Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, October 2018

South West Wind, High Altitude BS189

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