Began developing a series of sketches to serve as the basis for larger paintings, experimenting with various materials such as ink, acrylic, pencil, ballpoint pen, and watercolor.
This blend of media and the use of the sketchbook fostered a stream-of-consciousness process; I am working through this by creating a succession of paintings that I view as geological explorations of my inner self—bringing to the surface what lies in my deepest depths.
In this series, I subsequently incorporated materials like glue, tissues, raffia, and cotton to add texture. This ongoing exploration will soon—as I mentioned—be translated onto larger surfaces.
You can watch the creation of these works on my YouTube channel, “Alberto Repetti Artist“; I will also be showcasing them in a dedicated section of this website.
Enjoy watching.
Category Archives: abstract landscape
Sketchbooks as a form of experimentation
0Painting over a randomly obtained background
0I present two small acrylic landscapes, the result of a fun practice that involves creating shapes by intervening on a random layer of paint, as you can see in this video, organized into steps: first the preparation and choice of colors, then the random application of color on the cards, then viewing the result card by card, and finally the conscious painting on two of the resulting colored cards.
When I say “chance,” of course, I don’t mean the artist’s total absence, but rather the degree of intervention we choose to have on the work we create.
It’s clear that even when we paint abstractly, or when we throw paint onto the canvas, what emerges is always the artist’s intention, even if it’s involuntary. I can throw paint, but the gesture is mine; however, the color can escape me, expand more than expected, create shapes I hadn’t imagined.
Here, however, I want to try a different experience: I want to place the paint on the sheets of paper completely randomly, without seeing it, and therefore completely without my knowledge. The colors will be mixed without my direct control, and the final result will serve as a starting point for observing how this can be possible if we deem it necessary to invent something from a random pictorial expression.
The result we’ll achieve in the two paintings I’ll make, based on the suggestion of random shapes, stems from this very process.

Acrylic on Cardboard, 14,8 x 10,5 cm
“Grassy Motion”
0Ballpoint Pen on Cardboard, 21 x 29,7 cm, April 2024

“In Search of Blue” a Manifest Gallery Exhibition, Cincinnati, Ohio, US March 8 – April 5, 2024
0“In Search of Blue” is an exhibit of works about the color Blue and all that it may convey.
For this exhibit, 225 artists submitted 820 works from 37 states, Washington D.C., and 12 countries, including Australia, Brazil, Canada, Czech Republic, Germany, India, Italy, Latvia, Netherlands, Poland, Portugal, and the United States. Sixteen works by the following 12 artists from 8 states, Italy, and Portugal were selected by a blind jury process for presentation in the gallery and the Manifest Exhibition Annual publication:
Madeline Bass, Jan Burleson, Summer Doll-Myers, Meryl Engler, John Greig Jr, Melissa Haviland, Willard Lustenader, Alberto Repetti, Luis Filipe Rodrigues, Jill Stoll, Annmarie Suglio, Dennis Wogan
I am honored and excited to participate with two of my works in this edition of the competition.
I thank all the organizers of the event, Jason Franz, Katie Baker and all those who work for the promotion of arts and education within Manifest.

The works selected for this exhibition are: “The Blue Path” and “Cloud Standing Over the Sea







