Alberto Repetti Artist

Artworks of Alberto Repetti's Artist, Oil Painting, Ballpoint Pen Drawing and more

Tag Archives: Landscape

Painting over a randomly obtained background

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I present two small acrylic landscapes, the result of a fun practice that involves creating shapes by intervening on a random layer of paint, as you can see in this video, organized into steps: first the preparation and choice of colors, then the random application of color on the cards, then viewing the result card by card, and finally the conscious painting on two of the resulting colored cards.

When I say “chance,” of course, I don’t mean the artist’s total absence, but rather the degree of intervention we choose to have on the work we create.
It’s clear that even when we paint abstractly, or when we throw paint onto the canvas, what emerges is always the artist’s intention, even if it’s involuntary. I can throw paint, but the gesture is mine; however, the color can escape me, expand more than expected, create shapes I hadn’t imagined.
Here, however, I want to try a different experience: I want to place the paint on the sheets of paper completely randomly, without seeing it, and therefore completely without my knowledge. The colors will be mixed without my direct control, and the final result will serve as a starting point for observing how this can be possible if we deem it necessary to invent something from a random pictorial expression.
The result we’ll achieve in the two paintings I’ll make, based on the suggestion of random shapes, stems from this very process.

Acrylic on Cardboard, 14,8 x 10,5 cm

Sunrise from the hill

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I have a YouTube channel where I mainly talk about pictorial and graphic technique, and it is dedicated to those who are learning to paint and draw, but not only to them, but to all the people who like to deepen their knowledge of artistic technique.

I share on the channel the realisation of a simple painting depicting the glow of the sun of a late autumn morning in the countryside.

Click on the picture

“In Search of the Sound of the Landscape”

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Ballpoint Pen on Cardboard, 29,7 x 42 cm, October 2023

The Sound of Appareance

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Ballpoint pen on cardboard, 140 x 130 cm, October 2023

The landscape has always been a source of research for me, because within it, within the tangle of signs and in the development of forms without man, I see a possibility of a new, ancestral development. It finds itself, represented in my gaze that leads the sign like the gaze of someone who lays their eyes on it without being inside, but always placing themselves on the margins, like a spectator who remains on the sidelines.
The development of the forms full of subtle and incessant strokes reveals its entire construction, the skeleton and casing appear transparent and uncovered in all its parts to give the image a character of creative frenzy, of necessary constructive impetus.
This landscape is placed in a fundamental point of my proposal for reflection on nature, which from here on will carry out a slow and inexorable descent towards depth without ever, as repeatedly repeated, hiding anything of the formal path that allowed its growth.
The smallest sign must be legible and be able to be isolated from the rest in the urgency of transforming the drawing into a path that has a main and sole objective, the recognizability of its chronology within it

Il paesaggio è per me fonte di ricerca da sempre, perchè all’interno di esso, all’interno dell’intrico di segni e nello sviluppo di forme senza l’uomo, io vedo una possibilità di uno sviluppo nuovo, ancestrale. Esso si ritrova, rappresentato nel mio sguardo che conduce il segno come lo sguardo di chi posa gli occhi addosso, senza esserci dentro, ma collocandosi sempre ai margini, come uno spettatore che rimane in disparte.
Lo sviluppo delle forme piene di tratti sottili e incessanti rivela tutta la sua costruzione, scheletro e involucro appaiono trasparenti e scoperti in tutte le sue parti a dare all’immagine un carattere di frenesia creativa, di necessario impeto costruttivo.
Questo paesaggio si colloca in un punto fondamentale della mia proposta di riflessione sulla natura, che svolgerà, da qui in poi una lenta e inesorabile discesa verso la profondità senza mai, come più volte ripetuto nascondere nulla del percorso formale che ne ha permesso la crescita.
Il più piccolo segno deve essere leggibile e poter essere isolato dal resto nell’urgenza di trasformare il disegno in un sentiero che ha un principale ed unico obiettivo, la riconoscibilità della sua cronologia all’interno di esso.

Five Soundscapes in Search of a Landscape

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Project by Steve Somerset (Music) and Alberto Repetti (Painting)

This is a video to announce a new, exciting collaboration with musician and composer Steve Somerset titled ‘Five Soundscapes In Search Of A Landscape’ which will premiere in September.

Our creative adventure began two years ago when I produced a series of paintings accompanied by Steve’s improvised guitar pieces.

These were called ‘I Hear What You See, You See What I Hear.’ So what is our new project all about? Steve has created soundscapes which have become the springboard for my five paintings.

I will interpret the music to bring colour and form to the canvas thus creating a unique sound and visual experience.

Steve Somerset’s musical career covers many genres, his most recent being the release of two album under the banner of The Haven Green. ‘To Whom It May Concern’ and ‘ Beyond The Shadow of a Doubt ‘ have received critical acclaim for his songwriting and arranging skills.

We are very excited for you to see our new project and we hope you will enjoy it as much as Steve and I have enjoyed creating it.

So it is with great pleasure that I present the first painting called ‘Dance Of The Unruly Leaves’ . You will experience its creation first hand as the musician influences the painter. Look out for further updates leading up to the unveiling of the full project in September.

We are tremendously proud of this work and we hope you will join us on our voyage of sound and vision.

https://megadodo.bandcamp.com/album/to-whom-it-may-concern https://megadodo.bandcamp.com/album/beyond-the-shadow-of-a-doubt

“The Dawn to Come”

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Graphite on Cardboard, 115 x 88 cm, January 2022

“Nature Series” Number 30

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Acrylic on Canvas Paper, 29,7 x 21 cm, May 2021

This is the fourth painting process of the Steve Somerset (Music) and Alberto Repetti (Painting)project, named:
“I Hear What You’ll See You See What I Hear”
Click on image to enlarge it and HERE to go to see the birth and the process of the painting

“Nature Series” Number 29

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Acrylic on Canvas Paper, 29,7 x 21 cm, May 2021

Nature series number 29
A Landscape made in Acrilyc on canvas paper. Represent a brown dark hill in a sky wth light clouds
This is the third painting process of the Steve Somerset (Music) and Alberto Repetti (Painting)project, named:
“I Hear What You’ll See You See What I Hear”
Click on image to enlarge it and HERE to go to see the birth and the process of the painting

Nature is all that we inevitably perceive culturally as a landscape.
This series of paintings is precisely about this word, landscape, more about the very idea of ​​reconstructing a memory of the landscape.
To represent the idea of ​​the landscape is to represent the idea of ​​depth and illusion of our sight.
The word evokes in itself all the cultural experience of it and requires a personal elaboration to the point of almost refusing the mere reference to the natural in order to enter the objective dimension of what defines the term, within each of us, but it is not the landscape. .
For me, landscape is the same word that we invented to define it that does not define it because it does not define, except in a vague and approximate way, a concept interior, impossible to describe.
In this regard and as a corollary of this, it is interesting to read the pamphlet by Alberto Cagnato on the origins of the landscape, which I propose for a broader personal reflection.

La natura è tutto ciò che inevitabilmente noi percepiamo culturalmente come paesaggio.Questa serie di dipinti è proprio su questa parola paesaggio più sull’idea stessa di ricostruzione di una memoria del paesaggio.Rappresentare l’idea del paesaggio è rappresentare l’idea di profondità e di illusione della nostra vista.La parola evoca in sé tutta l’esperienza culturale di esso e necessita un’elaborazione personale fino quasi a rifiutare il mero riferimento al naturale per entrare dentro la dimensione oggettiva di ciò che ne definisce il termine dentro a ciascuno di noi ma non è il paesaggio.Per me, paesaggio, è la stessa parola che abbiamo inventato per definirlo che non lo definisce perchè non definisce se non in maniera vaga e approssimativa un concetto solo interiore, impossibile da descrivere.A questo proposito e a corollario di questo è interessante leggere il pamphlet di Alberto Cagnato sulle origini del paesaggio, che vi propongo per una più ampia riflessione personale.

“The Earth and the Intention of the Sky”, Biroscape #320

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, April 2021

The big cloud stand on the hill Landscape. Ballpoint Pen on Cardboard 14,8 x 10,5 cm April 2021

“Humus”, Biroscape 314

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, February 2021