Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, October 2020

The Natures Series is enriched with important elements for understanding the development of my landscape research.
The collaboration between me and Steve Somerset allowed for a live streaming on facebook where his music compositions (Improvisation 1 – 5), created specifically for this project, developed together with my paintings.
This has allowed a true connection between painting and music that take place in a definite time, giving the viewer the opportunity to witness the construction of the work of art and a better understanding of its inspiration and its project.
The five pieces of music have suggested the structure and evolution of the work and in the same way my way of working suggested the music that proceeded in unison with the genesis of the paintings.
Steve Somerset (Music) and Alberto Repetti (Painting)
present the project in live streaming:
“I HEARD WHAT YOU’LL SEE, SEE WHAT I FEEL “
STEVE SOMERSET‘s music and ALBERTO REPETTI’s painting will merge together on the evening of October 22nd:
at 8pm UK time and 9pm Italian time.
You can follow the event on Alberto Repetti’s Facebook page
a unique event, which you cannot miss!

My representation of the landscape is performed with the Hand, and therefore, cannot fail to be a real autopsy on nature, a priori. A search through the sign in the direction of the cause that will lead to his definitive agony and therefore to his death. This can only be attempted during the realization process because the finished work show its end and therefore its inevitable burial. But on closer inspection this is true for any object. The making of the work becomes testimony of the only possible answer that is found in the act, as long as the act lasts, after which there is a result that one insists on exhibiting as a trophy but that no longer has a breath of life. It is the late.
Dies Irae, Work in progress, ballpoint pen on cardboard, 50 x 70 cm

Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, August 2020
The word more than the absolute image, is by its nature symbolic and totally impossible to be perceived as a signifier, however, this one, reserves a sort of ambiguity that could be defined as modelable, adaptable to our most intimate circumstances.
La parola più che l’immagine assoluta, è per sua natura simbolica e del tutto impossibile da percepire come significante, tuttavia, questa, riserva una sorta di ambiguità che potremmo definire modellabile, adattabile alle nostre circostanze più intime.
