Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, November 2020

My representation of the landscape is performed with the Hand, and therefore, cannot fail to be a real autopsy on nature, a priori. A search through the sign in the direction of the cause that will lead to his definitive agony and therefore to his death. This can only be attempted during the realization process because the finished work show its end and therefore its inevitable burial. But on closer inspection this is true for any object. The making of the work becomes testimony of the only possible answer that is found in the act, as long as the act lasts, after which there is a result that one insists on exhibiting as a trophy but that no longer has a breath of life. It is the late.
Dies Irae, Work in progress, ballpoint pen on cardboard, 50 x 70 cm

Born during a live session, this series defines my understanding of the very nature of painting as documentation of the very nature of time.
Linked to the need for constriction of the live session, the construction of the images takes place in a precise temporal sequence and constitutes the work of art regardless of the number of sheets.
The whole session is a unique work and testimony of the formal act because it is documented and therefore interpretable in its expressive technical development.

I would like to get to the possibility of read the construction of the drawing. Sign after sign, until you get to the beginning, to the page, when it was white. Would be a dream.
Ballpoint Pen on Cardboard, 21 x 30 cm, March 2020