Alberto Repetti Artist

Artworks of Alberto Repetti's Artist, Oil Painting, Ballpoint Pen Drawing and more

Tag Archives: artcollector

“Shrine”, Biroscape #281

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, 5,8 x 4,1 in, June 2020

“The White Template”, Biroscape #278

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, June 2020

“A Brisa do Coração”, Biroscape #268

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, April 2020

A Brisa Do Coração BS268

“Ashore”, Biroscape #267

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, April 2020

Ashore BS267

about Landscape ( Thought Number Six )

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Ballpoint Pen on Cardboard, 29,7 x 42 cm, April 2020

about landscape (Thought number Six)

“Second Tribute to Max Ernst” or “The Two Bolides”

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Ballpoint Pen on Cardboard, 10,4 x 14,8 cm, April 2020

Second Ttribute to Max Ernst or The Two Bolides BS264

“Oh Windy March, Blowing Clouds Away Painfully”, Biroscape #263

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, March 2020

Oh Windy March, Blowing Clouds Away Painfully BS263

The larger the size, the greater the distance

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In this case the dimensions of the work will become part of the judgment?The artwork of art has different dimensions, but the stare maintains the same proportional relationship with it. The larger the size, the greater the distance.

That is to say, therefore, that from a proportional point of view there are no differences in dimensions but it is only a question of proximity or distance of the gaze.

If it is bigger, I have to move away, and if it is smaller, I have to approach it, but the look at it keeps the same portion of space for it unchanged.

Another thing is the decorative destination of the artwork. In this case the dimensions of the work will become part of the judgment?

So the perception we have of it is influenced by the use made of it, regardless of the pure value of the work of art? Does the work of art have an absolute value or is it determined by the use made of it?

The Shaman

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Style, in the contemporary age has become not the element that defines the identity of the painter or draftsman, but an obligation, not a natural disposition that determines, through careful analysis of the technique, the hand of the artificer , but a repetitive practice, a long theory of similar or even identical paintings, in summary the serial reproduction, however original, of the product.
This, fortunately, there are any exceptions, is the current cultural proposal, which does not allow the artist to show the shamanic qualities he had laboriously conquered.

A. R.

Digital Seascape: The Clouds Caress the Sea.

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Digital Drawing, 1296 x 1200 px, 300 dpi, June 2019

Digital Seascape: Clouds Caress the Sea

 

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