Alberto Repetti Artist

Artworks of Alberto Repetti's Artist, Oil Painting, Ballpoint Pen Drawing and more

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The larger the size, the greater the distance

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In this case the dimensions of the work will become part of the judgment?The artwork of art has different dimensions, but the stare maintains the same proportional relationship with it. The larger the size, the greater the distance.

That is to say, therefore, that from a proportional point of view there are no differences in dimensions but it is only a question of proximity or distance of the gaze.

If it is bigger, I have to move away, and if it is smaller, I have to approach it, but the look at it keeps the same portion of space for it unchanged.

Another thing is the decorative destination of the artwork. In this case the dimensions of the work will become part of the judgment?

So the perception we have of it is influenced by the use made of it, regardless of the pure value of the work of art? Does the work of art have an absolute value or is it determined by the use made of it?

The Shaman

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Style, in the contemporary age has become not the element that defines the identity of the painter or draftsman, but an obligation, not a natural disposition that determines, through careful analysis of the technique, the hand of the artificer , but a repetitive practice, a long theory of similar or even identical paintings, in summary the serial reproduction, however original, of the product.
This, fortunately, there are any exceptions, is the current cultural proposal, which does not allow the artist to show the shamanic qualities he had laboriously conquered.

A. R.

Digital Seascape: The Clouds Caress the Sea.

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Digital Drawing, 1296 x 1200 px, 300 dpi, June 2019

Digital Seascape: Clouds Caress the Sea

 

“In the Depth Glittering”, biroscape 227

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, May 2019

In the Depth Glittering

“Seafront”

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Pencil and Ballpoint Pen on Paper, 21 x 29,7 cm, May 2019

Seafront

“A Jagged Edge”, biroscape #225

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, May 2019

A Jagged Edge BS225

“Noreen’s Cloud”

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Oil on Canvas, 50 x 60 cm, September 2018

When I was commissioned this painting I had in my eyes the volutes of the skies of Normandy and the harrowing sensation of an event that was shaking my city, Genoa. In this cloud there are the events of those days that turn into the will to represent them, in the gestures, in the brush strokes are blurred or decided, but not to transfer the burden of a totalizing experience in the subject. Therefore, the pain or the pleasure remain inside of me and are projected outside, not in the painting, but in the medium yes, to the end, with the need to build an almost mystical practice with the object through I can represent my idea of world.

Quando mi è stato commissionato questo dipinto avevo negli occhi le volute dei cieli di Normandia e la sensazione straziante di un accadimento che stava scuotendo la mia città, Genova. In questa nuvola ci sono gli accadimenti di quei giorni che si tramutano nella volontà di rappresentarli, nei tratti del pennello siano sfumati o decisi, ma non di trasferire nel soggetto il carico di un’esperienza totalizzante. Quindi, il dolore o il piacere rimangono dentro di me e si proiettano al di fuori, non  nel dipinto, ma nel medium si, fino in fondo con la necessita di costruire una pratica quasi mistica con l’oggetto.

Noreen's Cloud

 

 

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