Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, November 2020

My representation of the landscape is performed with the Hand, and therefore, cannot fail to be a real autopsy on nature, a priori. A search through the sign in the direction of the cause that will lead to his definitive agony and therefore to his death. This can only be attempted during the realization process because the finished work show its end and therefore its inevitable burial. But on closer inspection this is true for any object. The making of the work becomes testimony of the only possible answer that is found in the act, as long as the act lasts, after which there is a result that one insists on exhibiting as a trophy but that no longer has a breath of life. It is the late.
Dies Irae, Work in progress, ballpoint pen on cardboard, 50 x 70 cm

Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, July 2020
A uniform color, without darkening it too much, leaves a thin veil between the image and our eyes. Do not insist on the dark deliberately to highlight the medium tones and block the vision to a previous state any act of insistence on blacks. I stopped because this has to be visible.
un colore uniforme, senza scurirlo troppo, lascia un velo sottile tra l’immagine e i nostri occhi. Non insistere sullo scuro deliberatamente per evidenziare i toni medi e bloccare la visione a uno stato precedente alcun atto di insistenza sui neri. Mi sono fermato perché questo deve essere ben visibile.

Ballpoint Pen on Cardboard, 30 x 42 cm, May 2020
During the quarantine more than ever I thought about suspended time, trying to transfigure it into the vision regarding the enjoyment of a non-negative but surprising and wonderful natural event.
The choice fell on the glow that refers to the perennial, disarming human condition and helpless when faced with natural events.



Ballpoint Pen Drawing on cardboard , 30 x 42 cm, April 2020
The drawing was selected for Collection # 1 in the open call The Mediterranean by the contemporary art gallery The Curators


