Oil On canvas. In progress.



Oil On canvas. In progress.



Ballpoint pen on Cardboard, 10,5 x 14,8 cm, 2017 May
“The Secret Lies in the Wood” Biroscape #87
Ballpoint pen on Cardboard, 10,5 x 14,8 cm, 2017 May
( the impress detail you can see better here )
ART REVEAL MAGAZINE #29 is out, and I am very happy with this interview, where I can express what are the motives that inspire me to work creatively and how the process related to the “creation” of a painting happen.
You can find the whole interview from page 84.
The subject draws attention to the object. The objects which formed a subjects are not just what in a finished work appear, but exist in a succession of events that it’s hard identified temporally. When look at Painting consider the two actions, see the making of and see completed work as two distinct and paths that merge only in the last brushstroke.
Il soggetto richiama l’attenzione sull’oggetto. Gli oggetti con cui si forma un soggetto non sono solo quelli che appaiono in un lavoro finito, ma esistono in una successione di eventi difficilmente identificabili temporaneamente. Quando esaminiamo la Pittura, consideriamo le due azioni, vedere la realizzazione e il lavoro completato come due distinti percorsi che si fondono solo nell’ultima pennellata.
“The World is made up of objects and subjects. I am not interested in objects because they aren’t part of my experience. On the contrary when they became part of my experience, I give them a different meaning and they become for me a “subject.” This “subject” has an emotional strength, it can be a tree or a house or the sea, which became part of my life. So they become that particular tree, that particular house or that particular sea.”
Extract from:
