Ballpoint Pen of Cardboard, 40 x 32 cm, December 2017.
The reading of the progression of the drawing can be understood by looking at the work very closely. An experience that no scans or photographs can return. The documentation of the work, however, requires a catalog even if its partial interpenetration refers to a necessarily mediated reading, here on the web, always.
Ballpoint Pen on Cardboard, 10,5 x 14,8 cm, December 2017
Ballpoint Pen on Cardboard, 10,5 x 14,8 cm, November 2017
Ballpoint Pen on Cardboard, 40 x 51 cm, November 2017
Click on the image and discover my last large ballpoint pen artwork through three different details
Social experience has been a real day-to-day discovery, not only because it connects people and allows you to exchange ideas and find people whose thoughts and actions I could not have known otherwise, but because it is a sort of diary, and daily notes that, in contrast to the old diary, are ultimately a remove of intimacy, a disclosure, and allow those who compile it to become the most severe or to say the most critical of the users. I thank all the people who allow myself to follow me, and they always encourage me on Twitter, on Instagram, here and on Facebook. Really Thank you.
Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, November 2017
The work of Art is because it is in the present and is not done or to be done. The result of what we see is the conclusion of a practice that has been and will never be in the present and in the future. The customer is the author himself, the only one that can be present at the time of making.
Ballpoint pen on Cardboard, 10,5 x 14,8 cm, 2017 October
Ballpoint pen on Cardboard, 10,5 x 14,8 cm, 2017 October
PICK PIECES The Ballpointer staff choose the artwork and let the artist explain it in their own words. Thank you to Ronald Bell and Ballpointer staff for choosing “The Elemental Landscape”
Alberto Repetti Artist 