Ballpoint Pen on Cardboard, 14,8 x 21 cm, October 2025

Ballpoint Pen on Cardboard 14,8 x 10.5 cm, March 2025

Ballpoint Pen on Cardboard, 21 x 29,7 cm, April 2024

Ballpoint pen on cardboard, 140 x 130 cm, October 2023

The landscape has always been a source of research for me, because within it, within the tangle of signs and in the development of forms without man, I see a possibility of a new, ancestral development. It finds itself, represented in my gaze that leads the sign like the gaze of someone who lays their eyes on it without being inside, but always placing themselves on the margins, like a spectator who remains on the sidelines.
The development of the forms full of subtle and incessant strokes reveals its entire construction, the skeleton and casing appear transparent and uncovered in all its parts to give the image a character of creative frenzy, of necessary constructive impetus.
This landscape is placed in a fundamental point of my proposal for reflection on nature, which from here on will carry out a slow and inexorable descent towards depth without ever, as repeatedly repeated, hiding anything of the formal path that allowed its growth.
The smallest sign must be legible and be able to be isolated from the rest in the urgency of transforming the drawing into a path that has a main and sole objective, the recognizability of its chronology within it



Il paesaggio è per me fonte di ricerca da sempre, perchè all’interno di esso, all’interno dell’intrico di segni e nello sviluppo di forme senza l’uomo, io vedo una possibilità di uno sviluppo nuovo, ancestrale. Esso si ritrova, rappresentato nel mio sguardo che conduce il segno come lo sguardo di chi posa gli occhi addosso, senza esserci dentro, ma collocandosi sempre ai margini, come uno spettatore che rimane in disparte.
Lo sviluppo delle forme piene di tratti sottili e incessanti rivela tutta la sua costruzione, scheletro e involucro appaiono trasparenti e scoperti in tutte le sue parti a dare all’immagine un carattere di frenesia creativa, di necessario impeto costruttivo.
Questo paesaggio si colloca in un punto fondamentale della mia proposta di riflessione sulla natura, che svolgerà, da qui in poi una lenta e inesorabile discesa verso la profondità senza mai, come più volte ripetuto nascondere nulla del percorso formale che ne ha permesso la crescita.
Il più piccolo segno deve essere leggibile e poter essere isolato dal resto nell’urgenza di trasformare il disegno in un sentiero che ha un principale ed unico obiettivo, la riconoscibilità della sua cronologia all’interno di esso.
Ballpoint Pen On Cardboard, 14,8 x 10,5 cm, December 2021
(Link to the video below)
In this drawing, I want to represent the snow on the rock.
What I do in this drawing is just draw the dark rock, without a hatch.
Filling only the dark spaces of the rock, the parts that emerge from the snow.
The snow, in fact, is represented by the white sheet, and it is the rocks that must emerge and that I am going to draw.
I Draw black to draw snow.
The snow is not drawn, the snow, in this case, is already on the cardboard, but the rock distinguishes it and presents it to our eyes.
It is a deception.
Drawing with the pen gives me the opportunity to dig furrows, to push the sphere against the cardboard.
If I look at this drawing against the light, I see these grooves, which represent the passage of the pen and therefore my drawing.
And this is very important to me.
It should also be important for the viewer to be able to see them and reconstruct the path of the pen.
I use two pens, the BIC Cristal Original, for the whole drawing, and the BIC Cristal Large for the final part, wherein some places I place a deeper black.
I greet you and leave you to the video, not before having wished you all the best, and, remembering to subscribe to the channel, to support it, to like it, to share the video if you liked it, and to comment under the description.
Good vision, I hope that the passages on the sheet can be a true testimony of the path of the composition and construction of the work.
