Alberto Repetti Art

Artworks of Alberto Repetti's Artist, Oil Painting, Ballpoint Pen Drawing and more

Tag Archives: computerart

“Portrait of Paolo G. Webster”


Digital Painting, 3000 x 3000 dpi, February 2020

Paolo G. Webster

Digital Landscape in Black and White #1


Procreate’s Digital Painting. 1284 x 1129 px 300 dpi, January 2019

The landscape is fully realized in the second half of the nineteenth century. The legacy left by painters, for example, like Constable is enormous and it is not easy to paint a landscape without confront with these giants. However I feel the need to bring on the paper or on the tablet screen the suggestions that the spectacle of nature continues to give. Perhaps someone one day surely will know how to date these works of mine from elements that today completely escape me.

Digital Landscape in Black and White #1

Entanglement series number 12 in progress


Digital painting. Entanglement series number 12. Work in progress


“Entanglement. Status: Brilliant Hummocks”


Digital Painting, Original size, 4000 x 4000 px, 300dpi, 2018, February

Status: Brilliant Hummocks


Entanglement. Status: The Inner Core. Digital Painting


My advice is to always start from the drawing and the composition. The acquisition of manual dexterity is necessary ind is achieved solely and exlcusivley through constant practice. It’s like learning to play an instrument. You have to keep on trying this and that, be lucky enough to have a good teacher and if you don’t have one then learn from nature, by which I mean the reality around you and the work of artists who feed your curiosity and sensitivity. I think this is an essential prerequisite even for someone pursuing a path which is seemingly remote from painting or sculptural practIce in the traditional sense, as it allows a whole bag of technical tricks which can be made available for the creative act with whatever material is used. Formal practice allows us for example to choose the appropriate means to express a certain type of composition, a broader awareness and the broader the range of expressive possibilities. The idea should always be able to rely on a manual ability which allows it to manifest itself and to materialise. One last thing I want to add is that what has always been the moving force behind my work is to have an infinite respect for the person interacting with my work.

Status: The Inner Core

“What Are You Thinking?”


Procreate’s Digital Painting. 3500 x 2542 px 300 dpi, June 2017

What Are You Thinking?

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