Alberto Repetti Artist

Artworks of Alberto Repetti's Artist, Oil Painting, Ballpoint Pen Drawing and more

Category Archives: abstract landscape

Painting over a randomly obtained background

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I present two small acrylic landscapes, the result of a fun practice that involves creating shapes by intervening on a random layer of paint, as you can see in this video, organized into steps: first the preparation and choice of colors, then the random application of color on the cards, then viewing the result card by card, and finally the conscious painting on two of the resulting colored cards.

When I say “chance,” of course, I don’t mean the artist’s total absence, but rather the degree of intervention we choose to have on the work we create.
It’s clear that even when we paint abstractly, or when we throw paint onto the canvas, what emerges is always the artist’s intention, even if it’s involuntary. I can throw paint, but the gesture is mine; however, the color can escape me, expand more than expected, create shapes I hadn’t imagined.
Here, however, I want to try a different experience: I want to place the paint on the sheets of paper completely randomly, without seeing it, and therefore completely without my knowledge. The colors will be mixed without my direct control, and the final result will serve as a starting point for observing how this can be possible if we deem it necessary to invent something from a random pictorial expression.
The result we’ll achieve in the two paintings I’ll make, based on the suggestion of random shapes, stems from this very process.

Acrylic on Cardboard, 14,8 x 10,5 cm

“What is the Horizon? Biroscape 401

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Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, February 2026

“At the End of the Light there is Always the Cave”

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Ballpoint on Paper 29,7 x 21 cm, December 2025

“The Voluptuose Volute” Biroscape 399

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Ballpoint Pen on Cardboard 14,8 x 10.5 cm, December 2025

“Memory of the Cold, Breath of the Sea” Biroscape 397

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Ballpoint Pen of Cardboard, 14,8 x 10,5 cm, October 2025

“Grassy Motion”

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Ballpoint Pen on Cardboard, 21 x 29,7 cm, April 2024

“In Search of Blue” a Manifest Gallery Exhibition, Cincinnati, Ohio, US March 8 – April 5, 2024

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MANIFEST GALLERY

In Search of Blue” is an exhibit of works about the color Blue and all that it may convey.

For this exhibit, 225 artists submitted 820 works from 37 states, Washington D.C., and 12 countries, including Australia, Brazil, Canada, Czech Republic, Germany, India, Italy, Latvia, Netherlands, Poland, Portugal, and the United States. Sixteen works by the following 12 artists from 8 states, Italy, and Portugal were selected by a blind jury process for presentation in the gallery and the Manifest Exhibition Annual publication:
Madeline Bass, Jan Burleson, Summer Doll-Myers, Meryl Engler, John Greig Jr, Melissa Haviland, Willard Lustenader, Alberto Repetti, Luis Filipe Rodrigues, Jill Stoll, Annmarie Suglio, Dennis Wogan

I am honored and excited to participate with two of my works in this edition of the competition.
I thank all the organizers of the event, Jason Franz, Katie Baker and all those who work for the promotion of arts and education within Manifest.

The works selected for this exhibition are: “The Blue Path” and “Cloud Standing Over the Sea

Landscape in Gold

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Gel pen on Cardboard, 29,7 x 42 cm, January 2024

“In Search of the Sound of the Landscape”

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Ballpoint Pen on Cardboard, 29,7 x 42 cm, October 2023

The Sound of Appareance

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Ballpoint pen on cardboard, 140 x 130 cm, October 2023

The landscape has always been a source of research for me, because within it, within the tangle of signs and in the development of forms without man, I see a possibility of a new, ancestral development. It finds itself, represented in my gaze that leads the sign like the gaze of someone who lays their eyes on it without being inside, but always placing themselves on the margins, like a spectator who remains on the sidelines.
The development of the forms full of subtle and incessant strokes reveals its entire construction, the skeleton and casing appear transparent and uncovered in all its parts to give the image a character of creative frenzy, of necessary constructive impetus.
This landscape is placed in a fundamental point of my proposal for reflection on nature, which from here on will carry out a slow and inexorable descent towards depth without ever, as repeatedly repeated, hiding anything of the formal path that allowed its growth.
The smallest sign must be legible and be able to be isolated from the rest in the urgency of transforming the drawing into a path that has a main and sole objective, the recognizability of its chronology within it

Il paesaggio è per me fonte di ricerca da sempre, perchè all’interno di esso, all’interno dell’intrico di segni e nello sviluppo di forme senza l’uomo, io vedo una possibilità di uno sviluppo nuovo, ancestrale. Esso si ritrova, rappresentato nel mio sguardo che conduce il segno come lo sguardo di chi posa gli occhi addosso, senza esserci dentro, ma collocandosi sempre ai margini, come uno spettatore che rimane in disparte.
Lo sviluppo delle forme piene di tratti sottili e incessanti rivela tutta la sua costruzione, scheletro e involucro appaiono trasparenti e scoperti in tutte le sue parti a dare all’immagine un carattere di frenesia creativa, di necessario impeto costruttivo.
Questo paesaggio si colloca in un punto fondamentale della mia proposta di riflessione sulla natura, che svolgerà, da qui in poi una lenta e inesorabile discesa verso la profondità senza mai, come più volte ripetuto nascondere nulla del percorso formale che ne ha permesso la crescita.
Il più piccolo segno deve essere leggibile e poter essere isolato dal resto nell’urgenza di trasformare il disegno in un sentiero che ha un principale ed unico obiettivo, la riconoscibilità della sua cronologia all’interno di esso.