Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, February 2020
“about the landscape (Thought Number Three)”
0Ballpoint Pen on Cardboard, 21 x 30 cm, February 2020
“Blusterous”
0Ballpoint Pen On Cardboard, 21 x 30 cm, February 2020
Drawing in 2020 is an act of strength, a stance, a statement. The different readings, inside the work, help me to be classic, ancient, obsolete, and finally anti-contemporary.
Disegnare nel 2020 è un atto di forza, una presa di posizione, un’affermazione. Le diverse letture, all’interno dell’opera, mi aiutano ad essere classico, antico, desueto, e finalmente anti contemporaneo.
“Portrait of Paolo G. Webster”
0Digital Painting, 3000 x 3000 dpi, February 2020
“about landscape (Thought number Two)”
0Ballpoint Pen on Cardboard, 70 x 50 cm, January 2020
The sign is a documentation, a diary, precise, on the contemplation of the gesture.
Il segno è una documentazione, un diario, preciso, sulla contemplazione del gesto.
About Landscape (Thought number One)
0Ballpoint Pen on Cardboard, 30 x 21 cm, January 2020
The suggestion of the landscape is one of the most natural expedients to represent an idea of depth.
An expedient, if we want, that allows the sign to express itself, within a recognizable connotation, also conveying a parallel and disorganized narration with respect to the formal indication of a given landscape.
So signs that do not tell that themselves, enclosed within the landscape acquire meaning regardless and can, if necessary, be identified as not belonging to it but totally detached if expertly isolated.
La suggestione del paesaggio è uno degli espedienti più naturali per rappresentare un’idea di profondità.
Un espediente, se vogliamo, che consente al segno di esprimersi, all’interno di una connotazione riconoscibile, trasmettendo anche una narrazione parallela e disorganizzata rispetto all’indicazione formale di un determinato paesaggio.
Quindi segni che non dicono che se stessi, racchiusi nel paesaggio acquisiscono significato indipendentemente e possono, se necessario, essere identificati come non appartenenti ad esso ma totalmente distaccati se sapientemente isolati.
“Occluded Path”, Biroscape #260
0Ballpoint Pen on Cardboard, 14,8 x 10,5 cm, January 2020
” In The Mother’s Look”
0Oil On Canvas, 50 x 60, December 2019
To painting a live portrait you have to consider time and space and, what space and what time you want to occupy after the portrait is finished. I find my mother eternal within me and partially present on the canvas. The rest is a matter of light and dark without ever being tempted to use black.
“In Memory Of The Old Tree”, Biroscape #259
0To My Aunt Ada Rossi
Ballpoint Pen On Cardboard, 14,8 x 10,5 cm, January 2020
“It’s Rains Relentlessly”, Biroscape #258
0Ballpoint Pen On Cardboard, 14,8 x 10,5 cm, December 2019
Alberto Repetti Artist 