Style, in the contemporary age has become not the element that defines the identity of the painter or draftsman, but an obligation, not a natural disposition that determines, through careful analysis of the technique, the hand of the artificer , but a repetitive practice, a long theory of similar or even identical paintings, in summary the serial reproduction, however original, of the product.
This, fortunately, there are any exceptions, is the current cultural proposal, which does not allow the artist to show the shamanic qualities he had laboriously conquered.

A. R.