The study of the portrait is for me an analysis that uses the lines, volumes and colors that I can find within the specific space of the model.
I recognize within it, in the model, my involvement regarding the arrangement of the form. It is affected by my attention towards details that I enhance or diminish, intensify or eliminate depending on the interest that the reconstruction of the volumes has on the general impact of the icon.
We are a shell in which the perception of our eyes is totally symbiotic with the evaluation of our word to define them. Fragmentary and necessarily distinct, for each of us. Uniques