Fragmenting work and accost into a homogeneous whole. I have many ideas but no that fully satisfies me. How to convince the viewer to get closer to the work rather than move away?  People should realize the importance to have eyes immersed in the artwork  without another suggestion look around.
I could get the same feeling by grouping several scans of a work, as a temporality “contemporary.”
This is a first step but it is still far.

Frammentare un’opera e raggruppare in un tutto omogeneo. Ho molte idee ma nessuna che mi soddisfi pienamente, sul modo di convincere lo spettatore ad avvicinarsi di più all’opera invece che allontanarsi. Si dovrebbe cogliere l’importanza di avere lo sguardo pieno di un’opera senza altro intorno.
Potrei ottenere la stessa sensazione raggruppando scansioni diverse di un lavoro, come una temporalità “contemporanea” .
Questo è un primo passo ma sono ancora ben lontano..

Be quick, linger and get stuck are the main moments of this artwork. What remains is this:

Wasp Hiding Place.

The contact with the surface and the medium is  hidden in the representation. I almost want to say that it would be interesting to indicate in a work which was the last touch on it.

Utmost care and patience.
These drawings express their full potential when they are executed.

Drawing retains the possibility of a reconstruction of the path followed to accomplish it.

I wish I could do a show where my paintings could not see more than 20 cm distance.

The blur is intentional and is the main part of the painting.
Everything around us is constantly analysis, scientific, philosophical and artistic.
My, simply, want offer a perspective on the impossibility of perceiving the world objectively and its representation can only be blurred.

The title for this Biroscape was suggested by Carlo M. Marenco.
This ballpoint pen drawing is dedicated to him.

Difficult to introduce a painting with all the photographic translation limits.
The painting is on canvas and not on screen.
I undertake because the colors are more similar to the real, considering that the live view is the only possible choice.

Often we talk about research, I simply call it practice.
How to progress, a temporal progression.
If it is true, as I have often pointed out, the artwork is contemporary only in the occurrence, freeze a frame is to deliver a testimony.