Two glimpses of my two digital artworks exhibited in The Electron Salon at the lacda, Los Angeles Center for Digital Art

Bottom right:

Bottom left:

The Nature Side Job, Biroscape #28

I can finally think of 72 painted panels project, while at 6 pm, 3 am Italian time, in Los Angeles will open the exhibition to LACDA with two of my digital artworks.

Thinking about Dada’s anniversary: “Found In a drawer at Hans Arp home”

I’m happy to participate with two of my digital pictures in this exhibition. My artwork cross the ocean for the first time, it’s exciting.

The cardboard is 10,5 x 14,8 cm, and deep 20 km.

I would like to lead to reflect to understand a course. The path of the pen, of course.

The artwork must have the possibility to be seen from the distance in which it is conceived.

The work was preceded by numerous sketches, by drawing the objects details which are part of the painting.
I need to know the shape, deeply, in order to obtain a synthesis in the final blur.
The blurring, that there is in the whole picture, focuses in a space that has its center in the clock tower.
My desire is to use it as a lure to encourage the viewer to come closer to the painting, in the center of the painting, to see the composition of each single brush stroke.
Approaching the canvas until the painting does not occupy the entire visual eye space, forcing eyes to seek sharpness that will find only in the stroke of the brush, which is the main protagonist of the artwork.

The practice is the exercise itself. The result is unmistakably under the eyes of the beholder. Read a blueprint it is to trace its development. I dare say that to watch a design is investigating its evolution more than his final definition.

La pratica è l’esercizio in sè. Il risultato è inequivocabilmente sotto gli occhi di chi guarda. Interpretare un disegno è ripercorrere il suo sviluppo. Oserei dire che guardare un disegno è investigare sulla sua evoluzione più che la sua definizione finale.