Alberto Repetti Artist

Artworks of Alberto Repetti's Artist, Oil Painting, Ballpoint Pen Drawing and more

The third day of January, watercolour

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The Yearning of the Red Colour 014 AQUA.
The time spent on a piece of paper created this watercolor, thought January first and ended on three.

Tthe Yearning of the Red Colour 014 AQUA

Anandamide

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To paint is a strange form of pleasure … Auguste Renoir often said, ” To my mind, a picture Should be something pleasant, cheerful, and pretty, yes pretty! There are too many unpleasant things in life as it is without creating still more of them. ”

Anandamide 013 AQUA

Watercolours on paperboard

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When I paint in small, I reason always like I have to fill many square meters. For this, the space is the time which determines it and not the size of the surface. I would prefer to answer the question about the size of this watercolor, replying: 4 hours.

coraggio

Drawings

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love to explore the possibilities of any drawing instrument and technique.

In the best Italian tradition drawing represents strength and substance.

Drawing is one of the oldest forms of human expression and best symbolizes the temporality of signs.

The act of drawing, leaving a visible mark on a surface, can be considered as the founding moment of visual art.

Drawing is the building skeleton and the body of art: a sketch or a study can be stages in the construction of an opera or the opera itself.

Some Slow Signs B019, Detail

Ballpoint pen, Some Slow Signs

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Details and fragments of movement. A detail of the movement is a detail of the time. Move without a medium equivalent to not consider a testimony of a transition.

Some Slow Signs B019

Optical Tough, a new Biroscape

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The distance between parts

The distance between parts BS012

Welcome to my website

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The works are organized into sections and subsections: the focus shifts from techniques to materials.

The menu is completed by the Blog section, where my new works andreflections will be posted.

Thank you for reading so far. Enjoy your visit!

siottquattro

The factory of the storm

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I appreciate that a design so small can be made up everywhere, in different places and at different times of the day.
When I decide that it is finished, I put it among others, as a good friend who made me company all day.

Factory of a storm

Observes something that we will never see

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I’d like to establish a distance to appreciate my work.
The field of view should be occupied by the painting.
The live experience is crucial for an exclusive narration of what we look at.
Because the painting, is not a two-dimensional work that I look in a photograph.
The photograph is a distant trace that we know and follow until you reach the direct confrontation with it.

Observes something that we will never see, detail

Treaty of watercolor painting (1692) A. Boggert

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the web offers an interesting and voluminous amount of material. This I found today has some very unique features.
In addition to giving valuable advice on the technique offers for the first time, in a manner so wide a cataloging of colors truly accurate.
Here is a link to the full text:

boggert