Alberto Repetti Artist

Artworks of Alberto Repetti's Artist, Oil Painting, Ballpoint Pen Drawing and more

Biroscape #21, “Atmosphere”

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Return the volutes, in the clouds, in the sky, in the foliage, in a smile …

Atmosphere BS021

In progress

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I always thought, of course, that the representation of a painting through photography was very complicated. The matter becomes more complicated when  i need to build a blurred image not with a color gradient that penetrates the other, but with a series of tiny dashes, which give, watching him closely, character of painted almost unobservable. The camera, remains “embarassed” and  returns an image far removed from the real perception. However, the right distance to observe it is in my opinion about 40 centimeters from the nose.
whitehall

 

In memory of Mick Aston

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Biroscape #20

In memory of  Mick Aston BS020

Biroscape # 19

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Starless

Starless BS019

1985, pencil on cardborad.

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The archive section helps me to know where I come from. This is an opportunity , that I have now, to understand that i can go in many directions, without formalism.

1984, "On this side and beyond", Arc009

Building the Clock Tower through Whitehall

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The construction of a painting is, for me, the renewal of a process that has its roots deep within me.
The Clock Tower where Big Ben is enclosed has a special place in the city. The relationship that exists between Westminster and the City has always fascinated me, and I think that this monument is to testify that don’t exist a center, but that coexist several centers who join in that great breath that is London.

big ben

Whitehall, Trafalgar Square.

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I’m working on two large paintings, one of which is the representation of Whitehall from Trafalgar square. It ‘a long and precise work, not so much regarding particular subject, but to obtain the perception of the blur on it.
Trafalgar from whitehall, Little Detail

trafalgar square

Biroscape 18

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“The destruction of the community”

The destruction of the community BS018

Not all times are Meteorological

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Uncertain Times, Biroscape.

Uncertain Times BS017

About Digital Painting

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During an  artwork, performed with the digital tablet, I have always asked to me which could be the limits, where, was not lawful to go. I found that the best solution was to only use a variation on the digital thick brush and nothing else. No use of filters, not, for a colored image digitally.
This allows me to concentrate on the work without using other instrument except that used from the start. The work is long and laborious, but the result for as far as I’m concerned, is cool and genuine.
Many people say that in the artwork there is not the true but nobody can say that i don’t try to find it.

Ttrafalgar Square, Winter. Shrubs leaning against the front of the National Gallery