Return the volutes, in the clouds, in the sky, in the foliage, in a smile …
In progress
0I always thought, of course, that the representation of a painting through photography was very complicated. The matter becomes more complicated when i need to build a blurred image not with a color gradient that penetrates the other, but with a series of tiny dashes, which give, watching him closely, character of painted almost unobservable. The camera, remains “embarassed” and returns an image far removed from the real perception. However, the right distance to observe it is in my opinion about 40 centimeters from the nose.

Biroscape # 19
0Starless

Building the Clock Tower through Whitehall
0The construction of a painting is, for me, the renewal of a process that has its roots deep within me.
The Clock Tower where Big Ben is enclosed has a special place in the city. The relationship that exists between Westminster and the City has always fascinated me, and I think that this monument is to testify that don’t exist a center, but that coexist several centers who join in that great breath that is London.
About Digital Painting
0During an artwork, performed with the digital tablet, I have always asked to me which could be the limits, where, was not lawful to go. I found that the best solution was to only use a variation on the digital thick brush and nothing else. No use of filters, not, for a colored image digitally.
This allows me to concentrate on the work without using other instrument except that used from the start. The work is long and laborious, but the result for as far as I’m concerned, is cool and genuine.
Many people say that in the artwork there is not the true but nobody can say that i don’t try to find it.







