The archive section helps me to know where I come from. This is an opportunity , that I have now, to understand that i can go in many directions, without formalism.

The construction of a painting is, for me, the renewal of a process that has its roots deep within me.
The Clock Tower where Big Ben is enclosed has a special place in the city. The relationship that exists between Westminster and the City has always fascinated me, and I think that this monument is to testify that don’t exist a center, but that coexist several centers who join in that great breath that is London.

I’m working on two large paintings, one of which is the representation of Whitehall from Trafalgar square. It ‘a long and precise work, not so much regarding particular subject, but to obtain the perception of the blur on it.
Trafalgar from whitehall, Little Detail

“The destruction of the community”

Uncertain Times, Biroscape.

During an  artwork, performed with the digital tablet, I have always asked to me which could be the limits, where, was not lawful to go. I found that the best solution was to only use a variation on the digital thick brush and nothing else. No use of filters, not, for a colored image digitally.
This allows me to concentrate on the work without using other instrument except that used from the start. The work is long and laborious, but the result for as far as I’m concerned, is cool and genuine.
Many people say that in the artwork there is not the true but nobody can say that i don’t try to find it.

I like to recommend a beautiful website about the peculiarity of a tool such as a ballpoint pen. Many are the sites but that I find particularly interesting. Here

The undertow brings to the shore objects like thought, which brings up old memories.

I’m painting a portrait with clouds in the background. I would spend hours to paint clouds.