During an  artwork, performed with the digital tablet, I have always asked to me which could be the limits, where, was not lawful to go. I found that the best solution was to only use a variation on the digital thick brush and nothing else. No use of filters, not, for a colored image digitally.
This allows me to concentrate on the work without using other instrument except that used from the start. The work is long and laborious, but the result for as far as I’m concerned, is cool and genuine.
Many people say that in the artwork there is not the true but nobody can say that i don’t try to find it.

I like to recommend a beautiful website about the peculiarity of a tool such as a ballpoint pen. Many are the sites but that I find particularly interesting. Here

The undertow brings to the shore objects like thought, which brings up old memories.

I’m painting a portrait with clouds in the background. I would spend hours to paint clouds.

Risaia (Rice Field)
The small size of a sheet of paper, paradoxically, help me focus better on the idea of depth, although I understand that the surprise effect of which contemporary visual art is always looking, is not absolutely guaranteed.

This is a portrait of the composer and musician Steve Somerset.
This is primarily a portrait of a man, who through his music conveys all his passion and his ability to interpret our times.

…a drawing well done or badly done and everything that flies…
The surface may be small, but it can afford long distance if we want to work on depth.
What age can better describe a condition in which we plan to go over the rainbow and instead wander aimlessly, if not ours?

“Rediscover Number One” and detail.
Ballpoint Pen on Cardboard, 23,8 x 33 cm 2016, January.

“Persistently”
Crayon and Ballpoint Pen on Cardboard

The surface has been colored first with crayons and later refined with ballpoint pen.