Biroscape #76
Ballpoint pen on Cardboard, 10,5 x 14,8 cm, 2017 March

By the word “Biroscape” I define the landscape, the idea of place, exclusively designed by the ballpoint pen. The series is unlimited in number but has small size. Privilege this format because it allows me to focus in a space of unlimited depth. The interior landscape is mixed with the outer one in the becoming of new shapes. A radically personal interpretation of form in the space of the blank cardboard sheet.

“I know very well what I am about and that my skies have not been neglected, though they often failed in execution – and often no doubt from over anxiety about them…”
John Constable

Biroscape #75 .  Ballpoint pen on Cardboard, 10,5 x 14,8 cm, 2017 February.

Digital Painting. Original: 3264 x 2448 px 300 dpi
February 2017

Ballpoint pen on Cardboard, 10,5 x 14,8 cm, 2017 February
I seek the depth, not in an abstract sense, but I want to physically reproduce my admiration for any horizon.

Ballpoint Pen on Carboard, 14,8 x 10,5 cm. February 2017.
By the word “Biroscape” I define the landscape, the idea of place, exclusively designed by the ballpoint pen. The series is unlimited in number but has small size. Privilege this format because it allows me to focus in a space of unlimited depth. The interior landscape is mixed with the outer one in the becoming of new shapes. A radically personal interpretation of form in the space of the blank cardboard sheet.

By the word “Biroscape” I define the landscape, the idea of place, exclusively designed by the ballpoint pen. The series is unlimited in number but has small size. Privilege this format because it allows me to focus in a space of unlimited depth. The interior landscape is mixed with the outer one in the becoming of new shapes. A radically personal interpretation of form in the space of the blank cardboard sheet.
My research at the moment is directed to the nuance that I can get with the pen, which is very underestimated by artists. Ballpoint pen allows a great opportunity for shades of gray and deep blacks, by subtle hatching, touching the paper lightly or sinking the tip deep, allows the possibility for this balance. This is the key to getting a good result, in my opinion. It requires for me a lot of attention and a certain amount of patience and application.