The work was preceded by numerous sketches, by drawing the objects details which are part of the painting.
I need to know the shape, deeply, in order to obtain a synthesis in the final blur.
The blurring, that there is in the whole picture, focuses in a space that has its center in the clock tower.
My desire is to use it as a lure to encourage the viewer to come closer to the painting, in the center of the painting, to see the composition of each single brush stroke.
Approaching the canvas until the painting does not occupy the entire visual eye space, forcing eyes to seek sharpness that will find only in the stroke of the brush, which is the main protagonist of the artwork.